1.    The Evolution of English Drama—From Ritual to
        Reality      1—32
        The Origin of Drama, The Major Eras, Tragedy : The Weight of the Human Spirit, Comedy and Its Types, Tragi-Comedy, Expressionist Drama, The Drama of Ideas, Drama of Ideas Vs. Traditional Drama, Poetic Drama, Closet Drama, The Problem Play, Theatre of the Absurd : Finding Meaning in the Meaningless World, Break From Realism, A Comprehensive Analysis of Shakespeare’s Macbeth, Part I : The Drama Type—The Architecture of Shakespearean Tragedy, Part II : Narrative Content and Structural Progression, Questions.
    2.    Elements of Drama      33—56
        Authorial Intrusion, Cacophony, Circumlocution, Conflict, Diction, Epilogue, Epithet, Euphemism, The Strategic Purpose : Why Playwrights use Euphemism, Euphony, Malapropism, George Bernard Shaw : Saint Joan, T. S. Eliot : Murder in the Cathedral, Questions.
    3.    Literary Terms : Used in Drama      57—80
        Flashback, Foil, Foreshodowing, Hubbis, Hyperbaton, Motifs, Nemesis, Periphrasis, Prologue, Unity of Time, Place and Action, Settings, Syntax, Theme, Understate-ment, Epilogue, Questions.
    4.    Samuel Beckett : Waiting for Goddot, Arthur
        Miller : Death of a Salesman      81—100
        Unity of Time, Place and Action, Structural and Plot Devices, Character Dynamics and Fatal Flows, Linguistic and Stylistics Devices, Theme : The Absurdity of Existence, Social Commentary and Existential Irony, Arthur Miller— Death of a Salesman–Setting and Classical Unities Setting, Unity of Time, Place and Action, Structural and Plot Devices, Character Dynamics and Fatal Flaws, Linguistic and Stylistic Devices, ‘Section-A’—Bhasa, Kalidas, Bhava Bhuti, Shundarka, Asaga, Types of Indian Drama, ‘Section-B’—Habib Tanvir–Charandas Chor, Asif Currimboy : The Captives, Setting the Stage : The Fluid Borders of Conflict, Plot Development and the Convergence of Captives, Conclusion, Questions.